Wednesday, September 28, 2011

Student Competition!


Sports Media Marketing Student Competition Opens Today!
If you're a college student with a knack for production, a flair for design and a passion for sports, then the 2011 PromaxBDA Sports Media Marketing Making the Cut competition is the perfect way for you to stand out from the crowd. Get recognized for your extraordinary creative abilities by industry leaders. Amazing opportunities exist in sports media marketing. Making the Cut is your chance to get in the game!

You do not have to join Promax and there is no entry fee.

Sports Media Marketing Making the Cut Competition 2011
Presented by MLB Network, Megatrax, Workshop Creative, Jason Marks Talent and PromaxBDA, the Making the Cut competition is an opportunity to create an innovative on-air promotion for a premiere sports network. The creative objective of Making the Cut is to put together a promo that captures the essence of one of two shows on MLB Network, either Opening Day and/or "MLB Tonight."

What you could win
The first-place winner will receive a one-night hotel stay and conference pass to the PromaxBDA Sports Media Marketing Summit & Awards in New York City on November 15, 2011 at the Millennium Broadway Hotel.

Questions? Contact Katerina Zacharia, Director of Industry Development at katerina@promaxbda.org or 310.789.1523.

About PromaxBDA
PromaxBDA is a membership-driven association for promotion and marketing professionals working in broadcast media. With a combined membership of over 3,000 companies globally, PromaxBDA is the leading global resource for education, community, creative inspiration and career development for individuals working in marketing, promotion and design for the entertainment/information industry. www.promaxbda.org

Tuesday, September 27, 2011

MODA's New Exhibition



We need to get them a World AIDS Day Logo Design soon.

Wallaby Way HypeReel from Wallaby Way on Vimeo.



Let it load before playing

Wallaby Way HypeReel
What if your teams created a quick overview reel of HLN and your work prior to going in depth about your campaign. Just an introduction of some kind prior to starting or ending up with something like this? Just a thought.

Sunday, September 25, 2011

Jane Fonda Invitation for Junior and Senior Graphic Designers to "Peace, Love and Misunderstanding"


Love, Peace, and Misunderstanding starring Jane Fonda, Catherine Keener, Chace Crawford, Nat Wolff, Lizzie Olsen, and Jeffrey Dean Morgan

More Photos Courtesy of:
http://www.onlocationvacations.com/2010/07/25/in-photos-peace-love-and-misunderstanding-filming-in-upstate-new-york




Brenda Galina from MODA was contacted by Vikki Morrow, President & CEO of G-CAPP
(Georgia Campaign for Adolescent Pregnancy Prevention, which is Jane Fonda's Non-Profit Organization and both Juniors and Senior Designers have been invited to a Movie Premiere and Silent Auction on Tuesday October 4th at 6pm at The Woodruff Arts Center. Wrist bands will be provided which will give you full access to attend.

There are 40 tickets reserved for us if you would like to attend. Lots of fun if you've never been to a Hollywood Movie (in Atlanta.)

Summary of Movie:
An uptight NYC lawyer takes her two teenagers to her hippie mother's farmhouse upstate for a family vacation. What was meant to be a weekend getaway quickly turns into a summer adventure of romance, music, family secrets and self-discovery. vie Premiere (here in Atlanta.)

Saturday, September 24, 2011

MORE HLN INFO for you

Students can also search HLN video on CNN.com to get a sense of seminal moments from 2011.

As for the question on stats, a much more subjective route is to just go through the HLN Facebook and Twitter accounts, various show pages, and “HLN” on CNN search to get a sense of the past year’s HLN coverage. They can also search for #HLN on Twitter (but they’ve probably done that).

Beyond HLN, to identify top stories/people of the year, check out:

http://www.hashtag.org/
http://alltop.com/
http://topsy.com/
http://kyoo.com/

Then there’s the old-fashioned, inventive Google searching (e.g., top stories of 2011, most famous people of 2011, etc).

Lea Ann

Thursday, September 22, 2011

Questions and Answers

Stan Question:
1. Video: If they use any video in their concept prototypes can they just pull it from any resource? Like YouTube?
Or would you prefer another route?

Scot: For video they can pull from YouTube but I will add Lea Ann, Andrea and Kelly if they have another idea.


Stan Question:
2. Images: Where might they find more photos of talent on HLN? I know these will be just placeholders.

Scot: Andrea will help you get images….we have tons of them.

Stan Question:
3. Statistics: Possible ratings for shows on HLN throughout the day. Like Nielsen ratings?
Which shows are the highest rated ones on HLN?

Scot: Highest rated shows are Nancy Grace (8p), Dr Drew (9p), Morning Express with Robin Meade (6a-Noon), Weekend Express with Natasha Curry (6a-Noon weekends)
Our daytime ratings right now are very soft and our website is expected to work really hard to convince people that STUFF IS HAPPENING RIGHT NOW and they can connect to that on television too at HLN

Stan Question:
4. I have a team who wants to calculate how many times during 2011 that certain topics have come up.
They are currently looking at CNN's Pulse service that counts Facebook mentions and Diggs.com that
only lets users backtrack up to a year even though in the past. Twitter mentions counting the number of how many times a specific hash tag was mentioned in tweets.

Is there a more accurate and reliable resource for them for counting the number of times stories have been mentioned on HLN?

Scot: Our daytime ratings right now are very soft and our website is expected to work really hard to convince people that STUFF IS HAPPENING RIGHT NOW and they can connect to that on television too at HLN. I Will defer to Lea Ann on your last question….there are some other sources I believe. Would not limit myself to how frequently stuff is coming up on just CNN (CNN doesn’t do a lot of the water cooler news we specialize in so looking at how it plays on that brand might not be the best indicator of the overall interest in those stories—they do great on CNN but CNN tends to bury them!)

Wednesday, September 21, 2011

Correction to HLN Team: Saif, Misty and Stephen

I accidentally omitted some of the most important and thoughtful parts of the creative brief pdf that Stephen sent to me last week. Here it is in it's entirety (although the images are missing..which are fantastic and you'll hopefully see on Thursday at their presentation. My apologies.

2011: The Year in Review for You

“HLN is talking about the same things you are”.
The Year in Review Web App

The Year in Review web application is part of the HLN website. It uses Facebook Connect to generate an appealing, interactive info-graphic that shows the user what news they shared on Facebook in 2011, and how that fits into the wider world of news. The infographic is overwhelming in the amount of information it presents you, hooking
users with it’s addicting functionality.

How It Works
People will learn about the Year in Review web app:
• when they see an ad for it on HLN television.
• when they see it advertised on www.hlntv.com
• when they see their friends using the app on their Facebook wall.

When users go to the Year in Review, they are prompted to sign in using Facebook connect. Upon signing in, the Year in Review scans your Facebook wall for news that you have shared over the past year. It then finds related articles, ultimately including content from the HLN website. The user is presented with an interactive info-graphic that shows how the news the user shared is connected with other news articles on the internet.

Example: Stephen shared a news article about the Casey Anthony case on Facebook. This contains similar keywords to another about Casey Anthony. The next article contains similar keywords to a video clip on the HLN website.

The Viral Edge
As people use the Year in Review, it will, of course, show up on Facebook. So, once Stephen has used the Year in Review, it shows up on Saif and Misty’s Facebook wall. Being curious, they click the links to see what it is. Now that they are using the web app, they see what Stephen has shared, what they have shared, and how everything is interrelated. They end up killing a lot of time on this app. At the end of the day,
the users feel like HLN is talking about the same things that they are.

Advertising Opportunity & the TV Tie-In
Since the web app ultimately tries to tie the user’s Facebook posts back to HLN news,
people will end up watching videos on the HLN website. 30 second video ads an be
run on all the HLN videos. These videos, being clips of HLN TV personalities, will
ideally make the user hungry for more. They hopefully become HLN viewers, if they are
not already.

Tuesday, September 20, 2011

Your World AIDS Day Logo will go here



This is currently the screenshot of what MODA is using for their upcoming World AIDS Day that you are going to be working on with them. Your logo design will replace their red ribbon. Please start thinking about a logo now so we can show them your designs and have them choose one for their website to replace the red ribbon.

think about what you would do for them. Type and Image? All Type? Combo?
Start designing.

AIGA Atlanta/SCAD Movie: Free to the Public


SCAD Atlanta Graphic Design Department,
AIGA Atlanta, and Primal Screen present:

THE VISUAL LANGUAGE OF HERBERT MATTER

Thu, Sep 22nd @ SCAD Atlanta
7:00 pm

This is a free film screening event.

Register for this event »

A revealing look at the fascinating life story of the highly influential mid-century modern design master. Known as a quintessential designer's designer, Swiss born Herbert Matter is largely credited with expanding the use of photography as a design tool and bringing the semantics of fine art into the realm of applied arts.

As any marketer will tell you, there are some truly awful times to launch a new product — like August, when few potential customers are paying attention, or January, when they’re all shopped out from the holidays.
Qwikster From Netflix: The Worst Product Launch Since New Coke? [OPINION]
by Chris Taylor
Courtesy: http://mashable.com/2011/09/19/qwikster-netflix-fail/

And then there’s launching your new product in the tenth paragraph of an apology for some previous poor communication, as Netflix CEO Reed Hastings did late Sunday with Qwikster, the new name for Netflix’s DVD-by-mail service.

The reaction was immediate, and almost uniformly negative. Nearly 10,000 commenters had piled on Hastings’s blog entry by midday Monday. “With actions like this, it is only a matter of time before you become the next MySpace,” said one. “Your arrogance is so thick it’s palpable,” wrote a “former Netflix evangelist.” A former Coca-Cola employee, Mary Louise McCoy, compared the launch of Qwikster to the disastrous 1985 launch of New Coke she experienced from the inside. “Hubris has brought down many a company,” she added. “You are going to lose thousands more members, including myself.” Several of Mashable‘s commenters said they had to double check that it wasn’t April Fools’ Day.

SEE ALSO: 5 Tips for Recovering From a Major CEO Blunder

It’s hard not to agree with all of this. I first interviewed Reed Hastings 10 years ago and have chatted and dined with him several times since; a former Artificial Intelligence researcher, he is one of the smartest and most amiable minds I’ve ever met. He predicted his company’s transition to Internet streaming 10 years ago, hence the name Netflix. His incredible foresight and drive helped bring Blockbuster — once an impossibly large rival — to its knees.

But the Hastings in the apology video is not the Hastings I knew. He seems spooked by Wall Street’s reaction to Netflix’s loss of subscribers. He fluffs one of his lines, which is profoundly odd in a prerecorded video from a video company executive. Then, of course, he compounds the poor communication he’s supposed to be sorry about with a precipitous rebranding. The whole thing leaves an impression of haste, of someone being reactive rather than proactive.

We’ve known for some time that Netflix intends to move away from the DVD subscription model toward streaming, which is fundamentally more lucrative. But Hastings seems determined to lose or confuse as many customers along the way.

How bad is the whole Qwikster idea? Let us count the ways:

1. The name. One sign of poor branding is how many ways there are to misspell what you’re looking for. Expect a surge of Google searches for Quickster, Quikster and Qwickster — none of which are currently redirected to the correct website. Nor does the name seem to have anything to do with the product. “Qwik” suggests a discount supermarket or photocopy shop, while the generic “-ster” ending was all the rage for startups … in 2000. Now it’s primarily associated with companies that get sold off in a fire sale and become shadows of their former selves: see Napster, Friendster and Dogster. You’d be better off calling the new company “Qwik ‘n’ Save”.

2. Customer confusion. Will my DVD queue port over to Qwikster intact? Will the user interface look the same? Currently, Netflix tells you if the movie you’re searching for is available on disc or on streaming, and you can click on either button — will that go away? Nobody knows, and that’s likely to cause customers to throw up their hands and leave. If Netflix had been smart about this launch, it would have prepared an FAQ at launch — not to mention secured the appropriate Twitter handle so it could respond to customers directly.

3. Fixes a problem no one needed fixing. Have you ever longed for a rebranding of Netflix’s DVD envelopes? Or thought to yourself, “I’d pay for both disc and streaming services if only they had separate names and separate websites?” Me neither, and that’s what makes the move such a head-scratcher. We’re told that Qwikster will also offer video games for rental. That’s great: Competitor Redbox rolled out the same service this summer. But Redbox didn’t feel the need to rebrand itself in the process. Quite the opposite — we’d rather try out a new kind of rental if it’s from a known entity.

4. Broken trust. Tin-eared product roll-outs are one thing. But a tin-eared product roll-out at the end of an email apologizing for a previous tin-eared product roll-out? It’s hard not to feel like you’re being taken for a ride at that point. Think of that moment in an argument between lovers or family members when an apology suddenly (and often unintentionally) transmutes into an offense even more outrageous than the one being apologized for.

Until today, Netflix’s only offense was that it had raised prices by 60% on a bunch of its customers. Now it leaves all its customers — the 22 million who stream, and the 15 million who rent DVDs — confused and uncertain about the future of the company.

But it’s not too late to walk things back. New Coke may have been an unmitigated disaster, but Coca-Cola eventually ditched it and is still standing strong a quarter-century later. Hastings might win a lot of that lost trust back if he moves fast, apologizes again, and comes up with less confusing branding for the DVD-by-mail service. Might we suggest Netflix Classic?

Monday, September 19, 2011

This time lapse video made me stop once again and think about how beautiful our world is and how quickly time passes for all of us as we go about our daily routines and lives...it was a reminder of the passage of time. I wonder what I got done during the course of the time it took to film this? I hope I used it wisely. Any you?

From GSU to YOU; Free Lynda.com Starting October 17th


The much anticipated roll-out of Lynda.com access officially begins for GSU students, faculty, and staff on Oct 17th. More to come. How great is this for you? Well done GSU, well done.

FREE MODA LECTURE: Please Plan to Attend since you are involved in this exhibition



Inn case students are interested in attending our Graphic Design lecture on October 2, I thought I'd let you know that the information about it has changed. Thanks to the generosity of a sponsor, the lecture is now FREE.

The title of the lecture is Visualizing Cultural Differences: Design and the HIV/AIDS Crisis. It will be given by Elizabeth Resnick, curator of the exhibition. The lecture will be held in the Hill Auditorium of the Woodruff Arts Center and there is no charge to hear the lecture. Following the lecture, we'll serve wine and beer at the Museum (there will be our regular $10 charge for that) and there will be the opportunity to meet the curators and see the exhibition.

We do ask that people register online in advance as seating is limited. The registration link is here: http://events.r20.constantcontact.com/register/event?oeidk=a07e4t2h6cbd7edfacb&llr=zpenw9cab

Thank you!

Laura Flusche, Ph.D.
Associate Director
Museum of Design Atlanta
1315 Peachtree Street
Atlanta, GA 30309
Visualizing Cultural Differences: Design and the HIV/AIDS Crisis

Join Curator of Graphic Intervention, Elizabeth Resnick, Professor and Chair of the Graphic Design Department at Massachusetts College of Art and Design, as she discusses the emergence of the poster as a medium of information and its role in promoting AIDS awareness and safe sex education across cultures. Immediately following the lecture, you are invited to a reception at MODA honoring the exhibition curators. Wine and light snacks will be served at the reception. Attendees will have the opportunity to see the exhibition, as well as to meet its curators.

When:
Sunday October 2, 2011 from 2:00 PM to 5:00 PM EDT

Where
Lecture will take place in the Hill Auditorium
Woodruff Arts Center
1280 Peachtree Street NE
Atlanta, GA 30309

Reception following lecture will be at MODA, 1315 Peachtree Street

About Elizabeth Resnick: Elizabeth Resnick is Professor and Chair of the Graphic Design Department at Massachusetts College of Art and Design, Boston, Massachusetts. Elizabeth is a passionate design curator who has developed and organized design exhibitions since in 1991. Her latest exhibition,“Graphic Intervention: 25 Years of International AIDS Awareness Posters 1985–2010” organized with co-curator Javier Cortés is currently on display at the Museum of Design, Atlanta. Her previous exhibition, “The Graphic Imperative: International Posters for Peace, Social Justice and The Environment 1965–2005” organized with co-curators Chaz Maviyane-Davies and Frank Baseman, successfully traveled for 5 years within the U.S and abroad. Elizabeth’s book publications include “Design for Communication: Conceptual Graphic Design Basics (2003) and “Graphic Design: A Problem-Solving Approach to Visual Communication (1984)

Please put your work on your blogs

Keeping a blog of the work that each of you do in class is important to the process of learning how you formalize and conceptualize work that you turn in for deadlines. It is a necessary part of the design process. Everyone is expected to participate. The blogs that I use as part of the academic experience are used purely for education reasons only. I refer to them from time to time in order to see how each of you are progressing throughout the semester. Like I have mentioned in class from time to time that your blogs are a safe deposit box for your work in case you loose the original work somehow. It is an archive of work that you do during this course.

If you have "linked" your blog to Facebook or Linkedin or Twitter or any other site and you don't want others to see your work then you should create a separate blog just for this class. All this is listed in the course syllabus posted at:
http://falladvertising.blogspot.com/2011/08/syllabus-for-fall-2010.html

If you have not done this already please put the following on your blogs:
-Self Promotion Ads (There should be two)
-Ad Council and Beg Bug Ads (There should be two)
-9/11 Tenth Anniversary Commemorative Poster

Other related design work with regards to advertising.
You can also put work up on your blogs with regards to the HLN project if you desire.
However, do not put any of the visuals that HLN has given to you. You can only put up your own work in conjunction with your assignment.

Creative/Communication Brief Assignment From Scot

HLN ASSIGNMENT & COMMUNICATION BRIEF 9.6.11
ASSIGNMENT

HLN Celebrates The Year That Was…2011

Develop the concept and design strategy for an HLN integrated editorial initiative on HLN and HLNtv.com this December. The initiative will be sponsored and hopefully provide viral, guilty pleasure fun. It will help the HLN brand summarize and celebrate the year in water-cooler news.

OVERVIEW | BACKGROUND
In 2011, HLN made a bold move to distinguish itself within the CNN Portfolio with a new look, logo and the promise of “news and views.” A powerful primetime line-up complements the increasingly popular morning show, Morning Express with Robin Meade.

This year in primetime, crusading prosecutor Nancy Grace and reporter Jane Velez-Mitchell were joined by human behaviorist Dr. Drew Pinsky. Their recent work on the Casey Anthony trial drew the largest audiences in the network’s history – beating all its cable competition. The pop culture block with comedian Joy Behar and Showbiz Tonight complete the line-up to form the basis of a fast-growing news channel whose appeal is largely directed to women – a unique category.

Now, with a powerful primetime in place, focused on stories that drive conversation, an HLN digital destination, HLNtv.com, is slated to launch in Fall 2011. The site will seamlessly integrate must-see, must-share content from the television network during digital primetime (12p-5p) to engage audiences in HLN’s favorite stories and drive audiences to watch how those stories unfold with HLN.

BRAND POSITION
-HLN focuses on the news that hits home, brought to you by people who really care about these stories.
HLN is a destination where viewers can follow, explore and experience the stories they really relate to—the kinds of stories their friends and families are catching up on, sharing and commenting on. These are water cooler stories people are at home, at the carpool, at Starbucks and at work.

KEY ATTRIBUTES

CONTENT
HLN elevates local stories of national value and national news stories with high-profile people center stage—the stories that are relevant to you, your friends, your home and your neighborhood
–Stories that are relatable, entertaining, helpful, fascinating and resonate with the urgency of news.
–People-focused stories — celebrities, the notorious, and everyday people caught in extraordinary circumstances; people that become the subject of conversation
–Human interest stories to share: personal, compelling, real American stories, with powerful – sometimes raw emotions and humor

TALENT- Stories are related – not simply delivered or reported.
–Anchors are passionate, empathetic, emotional, invested and accessible. They relate stories to their own lives. Viewers identify with them.
–Primetime anchors offer EXPERTISE and bring the depth of their experience to the understanding of a story
–Not “dumbing down” news content, making content relevant and personal

DIGITAL- HLNtv.com is a news/commentary/conversation site that reads like a blog and is the springboard for the general news conversation.

CREATIVE CONSIDERATIONS
The concepts and proposed design strategies need to

-Generate excitement and engagement with consumers, including their social media (consider things like badges, stickers, etc)
-Work with a range of news stories that generate and expand the conversation
-Need to reinforce the unified look and brand that exists on HLN and HLNtv.com
-Differentiate from other cable/broadcast networks
-Enhance the HLN brand through great television and online content
-Be irresistible and hopefully lend the idea into a viral sensation—must-see, must-share.
-Demonstrate how sponsors can be inventively integrated (must-buy)
-Demonstrate how social media can be inventively integrated (must-share)
-Demonstrate how HLN television can be inventively integrated (must-watch)


TARGET AUDIENCE
PRIMARY
–Women | More suburban – not urban| Middle America sensibility | Neighborhoods | Parents

SECONDARY
–Parents | Homeowners |Entertainment & Reality Show Lovers | Fans of Ellen, Oprah, People Magazine, People.com, Today Show

MARKETS
–Midwest, Southeast, Southwest, heartland, the center of the country - Smaller cities
Others: Cleveland | Chicago | Atlanta |Cincinnati

TIMELINE-Final presentation Mid October

Convocation and Arts Fair




CONVOCATION (No classes schedule during this event for the School of Art and Design)
When:
Tuesday, September 20, 2011
11:00 a.m. – 12:00 p.m.

Location:
The Florence Kopleff Recital Hall
(In Arts and Humanities Building)

Advisement Sessions Following Convocation 12:30 p.m. - 2:00 p.m.
(for current and prospective major concentrations)

Art Ed Rm. 505, Arts and Humanities Art History Rm.300 Arts and Humanities Ceramics Rm. 158, Arts and Humanities Drawing, Painting, Printmaking Rm. 551 Arts and Humanities Graphic Design Rm. 468 Arts and Humanities Interior Design Rm. 335 Arts and Humanities Photography Rm. 225 Arts and Humanities Sculpture at 184 Edgewood Ave. (Sculpture Building) Textiles Rm. 170, Arts and Humanities

Individual Teams: Creative Briefs for HLN Project


Working Creative Briefs for CNN HLN:
Some of these Creative Briefs are exactly what was expected as they are full of ideas and specifics. Some are only an outline and not a brief at all.

A Creative Brief is exactly formatted as the one that Scot Safon gave to each of you for their role in this assignment. It has very specific events and deliverables to the client. We'll discuss these more in class on Thursday when you give your presentation to the rest of the teams. You should come with examples and specifics (visuals.)

A Creative Brief is a road map for yourself as well as the client. It gives an overview of what you plan to do and how you plan to do it (in stages) so there are no surprises. I realize this is still a working creative brief but some of the ones that were sent to me have not been developed and one would assume that there hasn't been much time put into your concepts. Please develop your ideas more before Thursday.


Adam Bueb and Christine Rivera

HLN Project Brief

Our concept for an HLN integrated editorial initiative is based around allowing the viewers to determine the top story of the year. The main idea is based around a 31 day contest that pits 30 of the top stories of the year against each other and allows the viewers to determine which story impacted, fascinated, and resonated the most with them. Each day of the month, HLN will feature a 15-minute overview of one of the 30 stories at a specific time. The viewers will be allowed to vote through Twitter, Facebook, and on HLN’s own website. At the end of the month, preferably on December 31st, HLN will feature the top three stories of the year in an in depth manner.

In addition to the month-long contest, online games will be integrated on Facebook and HLN’s website that relate to the 30 stories. Each day, when the 15-minute overviews are shown, HLN will show the top scores of the day from each specific game, much in the same manner that Adult Swim posts their top scorers of the day. These online games can be sponsored by any number of companies, who will get free advertising online and on television.

Another design element we will be using is incorporating a pop-up factoid that will be created using the speech bubble from HLN’s logo. Throughout the day, we can use that speech bubble to call out what people are saying on Twitter and Facebook. It will also be used during the 15-minute overviews to bring out interesting factoids from the specific stories, much in the same way that “Pop-Up Video” on VH1 informed their viewer about music videos.

Another element of the 31-day contest involves entering each person who votes into a raffle. At the end of the month, one view will win a grand prize from the company who will sponsor the entire month-long contest. There is potential for big companies to pay for what will basically be free advertising online and television for a month. In addition, there is also room for daily raffles of smaller prizes for companies that would like to sponsor only one day or one week.

We believe that this idea allows, not only, for an integrated campaign across all platforms that HLN uses, but also will generate excitement among viewers by allowing them to be involved in the process of determining which stories were the most important to them. This concept can also be repeated every year and generates huge potential for sponsors due to the many different facets it creates.



Charles Gary and Michael Manisa


THE MOST VIRAL 2011
What are we trying to accomplish?
The goal of our project is to let the viewers know how big social media is. Because of social media, information travels really quickly and it shows no sign of slowing down. Nearly everyone knows about twitter, facebook, or digg. To give a better picture of how big this is, here are some fact and figures. Facebook has over 300 million users, Twitter has almost 175 million, and Digg has over ____ users. We realize how huge social networks are, so we centered our entire project around the idea of sharing information.

Sharing information is exactly what the HLN Network is all about. The network prides itself over featuring ‘watercooler’ news, news that is irresistible, news that people want to talk about, and news that people want to share. Besides literally standing next to a watercooler at the office, people share this news digitally on their smart phones or computers via their social network of choice. Because we know people love their social networks, we thought, what better way to commemorate the year than to show viewers the results of their social media excursions?

How will we do it?

People love lists, possibly because secretly everyone is a little bit elitist. So we want to commemorate the old year with a top 10 list. At surface value, this may seem like just another list, but our list goes deeper than that. What makes our list so different than everyone else’s list is the fact that our top 10 list is fueled by the idea of how many times someone has mentioned a story via a social network. Only the most talked about stories will be able to secure a spot on this coveted list. Yes, we know that the story was big, but how many times was it actually Tweeted? Shared? Dugg?

What will it look?
On the web, it will be an interactive piece made up of blocks that align to the HLN grid. A beautifully designed kinetic type introduction stating facts about social networks will lead the viewer to the interactive grid. It will start out with a simple box with 2011 written in it and when the user clicks on this box, it will expand and break up to reveal categories, and the more the user clicks on these blocks the more they break down and re-align themselves in the HLN grid until the user finally finds stories relevant to that topic. One at the story level, the user will be able to read about it, share it, find media, and links relating to the event.
(insert picture here)

What will it look like on television?
This will be a TV show based on the top 10 list. There will be a narrator and these stories will be randomized as to give the audience more suspense so that the stories wont be so predictable. This will keep them guessing. But at the end of each segment, they will display some kind of ranking system on the bottom that has some number on it from an index that will be created. This index factors in facebook shares, twitter tweets, digg duggs, and google ad-words.

Sponsorable
We will include a sponsor program into this project. Some kind of joint promotion with a company (like Starbucks). HLN can either tell the audience to go visit the sponsor or purchase something at a discount for the special HLN discount. Or the sponsor could give out a special promotion code that will unlock something special on the HLN site.

Conclusion
By giving the audience another perspective on a story that has been talked about already, we feel that they would want to talk about it again. For example, “Omg, did you watch HLN last night? The Casey Anthony case was apparently more popular than I thought.” People are dedicated to their social networks, they spend most of their time on them, sometimes forgetting about reality all together. So why not reward them and show them the results of their dedication?


Toni Rogers and Tiffany Forrester


"I Remember When…2011"
HLN 2011 Year in Review creative brief
Our campaign highlights the individual experience of remembering the year that was. We will have anchors and audience members alike relating to major events of the year in a casual testimonial style. The audience members will be excited to give their testimonials through social media. Their stories will have a chance of being on campaign television spots. These spots, which will feature HLN personalities giving their own personal accounts of events, will further promote the personal human experience that the HLN brand thrives on.

We will provide an immersive interactive web page experience that will showcase the events of the year, as well as awarding participating viewers. Specific events from the year will have a prize or offer that relates to said event based on viewer interaction. The website will point viewers to watch HLN during certain times, and on air we give clues to help win grand prizes online. This will allow for sponsorship and attract new viewers. For example, Delta airlines could sponsor a prize trip to London, which would relate to the Royal Wedding.
This campaign has a long shelf life and could be carried over for any year in the future.


Saif Khan, Misty Marquis and Stephen DeLorme
2011: The Year in Review for You

“HLN is talking about the same things you are”.
The Year in Review Web App

The Year in Review web application is part of the HLN website. It uses Facebook Connect to generate an appealing, interactive info-graphic that shows the user what news they shared on Facebook in 2011, and how that fits into the wider world of news. The infographic is overwhelming in the amount of information it presents you, hooking
users with it’s addicting functionality.

How It Works
People will learn about the Year in Review web app:
• when they see an ad for it on HLN television.
• when they see it advertised on www.hlntv.com
• when they see their friends using the app on their Facebook wall.

When users go to the Year in Review, they are prompted to sign in using Facebook connect. Upon signing in, the Year in Review scans your Facebook wall for news that you have shared over the past year. It then finds related articles, ultimately including content from the HLN website. The user is presented with an interactive info-graphic that shows how the
news the user shared is connected with other news articles on the internet.
Example: Stephen shared a news article about the
Casey Anthony case on Facebook. This contains similar keywords to another about Casey Anthony. The next article contains similar keywords to a video clip
on the HLN website.

The Viral Edge
As people use the Year in Review, it will, of course, show up on Facebook. So, once Stephen has used the Year in Review, it shows up on Saif and Misty’s Facebook wall. Being curious, they click the links to see what it is. Now that they are using the web app, they see what Stephen has shared, what they have shared, and how everything is interrelated. They end up killing a lot of time on this app. At the end of the day,
the users feel like HLN is talking about the same things that they are.

Advertising Opportunity & the TV Tie-In
Since the web app ultimately tries to tie the user’s Facebook posts back to HLN news,
people will end up watching videos on the HLN website. 30 second video ads an be
run on all the HLN videos. These videos, being clips of HLN TV personalities, will
ideally make the user hungry for more. They hopefully become HLN viewers, if they are
not already.


Sarah Adams and John Hallman

OVERVIEW SPECTRUM | 2011: The Year in Color
We will create an interactive, online tool that organizes news stories of 2011 based on both their physical colors and the emotions evoked by certain colors (as outlined by psychological institutions). Users will be able to select a color from a spectrum and browse stories associated with their choice. (ie: Stories about health are green/blue).

CONTENT MUST-SEE
We are presenting a unique way for people to revisit stories of the year based primarily on their colors. By allowing people to discover stories based on a single color choice, users will enjoy browsing news headlines more, while simultaneously finding more unique stories of interest they would not have found otherwise. Since color is one of the first things a person recognizes when seeing something, this allows people to remember things more vividly. To add an extra dimension, the stories will be arranged by popularity, with varying levels of vibrancy based on interest.
We will also incorporate web banner ads asking people, “What’s your color?” using a spot color visual and taking them to their selected news stories.

MUST-SHARE
Social networking will be integrated into this application, allowing users to “share their color” with their friends and followers. Twitter “hashtags” will also be created to help spread their discoveries,
eg. “My news is orange! #HLNspectrum.” There wil also be opportunities to link their facebook accounts to the site so they can easily share things they find interesting.
Connecting their Twitter or Facebook account will allow users to add their current profile picture to the “HLN Spectrum Mosaic—” a large HLN icon comprised of all the photos people add. The HLN icon will retain its characteristic shape, but will now be made up of a spectrum, which will be derived from the photos added. Based on the color they select, their photo will be overlayed with a slight tint of that color and put into the corresponding area of the Mosaic. Colors can be shared on HLNtv.com using their already-established blog format.

MUST-WATCH
This will be a week-long program near the end of the year, where each night focuses on a different color of news. Anchors will devote a certain amount of time to the color of the day as it relates to their individual show.
TV advertising will rely on spot colors in a black and white world, where people will see one to three selected objects in color. This will spark their interest, resulting in their visitation to the program or website.

MUST-BUY
The intended sponsors would be companies such as Crayola, Epson, Sony, Kodak, HP, Toshiba, Samsung, or any company where color is the primary focus of their business. However, we will still allow spots for companies that dont’ fit this criteria. Liking, following, or tweeting may result in daily or weekly giveaways from the selected sponsors.

TARGET
AUDIENCE
People interested in looking back at 2011 in a new way; based on the color of the stories they found interesting. This can be any range of ages, though the current majority of HLN viewers tend to be women interested in popular culture.

Jono Herrington and Lucas Alvarez

CREATIVE BRIEF FOR HLN

Project: Journey 2011

Overview:
Our purpose is to create an interactive exploration of 2011 that causes the audience to not only read the news but engage with. We will do this by breaking down the stories regionally and allowing the user to journey through the happenings of the year. We plan on engaging the audience not only through the adventure, but also through active polls and statistics. We want to create an environment that is easily shared and accessible through social networking. This will happen by integrating the core of this project into mediums such as Facebook and Apps. Also, we plan on drawing viewers by developing print ads and tv blips that will display in mediums specific to our target audience.
Target Audience:
• PRIMARY
- Women | More surburban - not urban | Middle America sensibility |
Neighborhoods | Parents
• SECONDARY
- Parents | Homeowners | Entertainment & Realty Show Lovers | Fans of Ellen,
Oprah, People Magazine, People.com, Today
• MARKETS
- Midwest, Southeast, Southwest, heartland, the center of the country - Smaller cities.
OTHER: Cleveland | Chicago | Atlanta | Cincinnati
Goal:
We want to engage our users with more than just spoon feeding them the news. Similar to how Facebook users explore and interact with the friends they choose, we want to
immulate a similar relationship between the user and the secrets/stories of 2011. Our heart is to entice the audience’s appetite and create a desire not only to listen but engage with the news. We will do this by sparking a conversation through photos, statistics, and stories that allures the user into a discussion about the news instead of just being told. By providing reliable statistics that are both relavent and dynamic, developing outlets where individual voices can be heard, and creating communities that are in touch with what is happening around them, this will be done.

Mario Reid and Jonathan Hart

PROJECT:
2011 Year in Review or HLN Best of 2011

OVERVIEW:
The purpose of this project is to create a 2011 Year in Review that will highlight the top 50 (or more) news stories covered on HLN. The project will entice viewers to visit HLNtv.com and interact with the people and stories that made 2011.

THE CONCEPT:
What if the people who made all the headlines, the big stories, of 2011 were gathered in a room together, like an end of the year party, as a sort of who’s who reunion?

What would they say to each other? What did people say about them? What would they want to tell you? What was it about them that intrigued us? What was it about them that commanded our attention? Some faces may be familiar (Casey Anthony, politicians,
celebs), other faces, not so familiar (foreign leaders, disaster victims), but they all had a story to tell in 2011.

Its about the people that made 2011 what it is. Some of their stories are serious, funny, touching, emotional,scandalous, but all of them compelling, and they got us talking. This project could develop into a piece that people look forward to year after year, and they would want to tell their friends about (comments, email, Facebook, Twitter, etc).

THE EXECUTION:
This project will likely be an interactive web application where viewers will be invited into “the Room” to meet the crowd (or party) of people that shaped 2011 (picture Sgt. Peppers cover). Viewers can click on the images of people to bring up their stories, headlines, quotes, photos, etc. Maybe it’s a guessing game
where viewers hover their mouse over silouettes of people to reveal a clue or quote as to the person underneath. Viewers can click to see if they know who it is. There will be an element of intrigue and recollection, “Oh yeah! That happened in 2011? Wow, I remember that story!” Events, such as the Japan Earthquake will still be told through the viewpoint of the people it impacted. In other words, It’s all about the people and their stories. The project should be translatable to television or TV spots could direct viewers to visit the HLN website.


Tyler Willis and Jacobly Chatman
HLN Creative Brief

For our project we have several things that we would like to do. First, we would like to make an intro for HLN’s YouTube videos. They post several videos every day but most don't have any kind of intro. The ones that do are an intro for a specific show. We feel it would look better if they all had a short intro clip. We would also like to make a commercial for YouTube and possibly TV that is a montage of news and stories from 2011. YouTube is a great social network which they seem to want to use, but aren't pushing it as hard as they should. They do not have as many followers
as other popular channels of the same subject matter. They would like for a lot of their posts to become “viral” in a sense in order to reach out to a larger audience. This could be very influential on the younger generations that would probably not watch HLN on TV.

Another thing we would like to do is design a splash page for their website. A splash page is the initial page that pops up when you go to the website before you get into the home page. Our idea for this is to make a collage or some kind of timeline of news, events and stories that occurred in 2011. This could simply be an image or something interactive. It may also translate over into a
print ad or be placed elsewhere on the website.

Another idea is to create a commercial for web or ta. We would like to film random people or “actors” in populated areas, and have the HLN speech bubble pop up over their heads containing current topics. HLN has a lot of news about every day people, and even big events they cover are more about the people involved than the actual event. We would like for the commercial to convey this.

Lastly, we would like to create interactive or video lists with different subject matter such as “Top 11 Biggest Stories”, “Top 11 Biggest Goofs” and “Top 11 Biggest Success Stories”. These are intended to also serve as a recap for 2011, potentially making viewers aware of this they may not have seen.



Nick Higgins and Avi Gelfond

GOAL
To create a summary of the news events that occured during the year 2011 that will serve as a promotional tool for HLNtv.com and will also present a fun and informative way to give the viewer a look at the events of 2011.

CONCEPT
Create an infographic that shows viewers events in a “By The Numbers”-style information that will give viewers an overall scale of things that occured in 2011. For example, we will show things like the the number of tweets a specific trending topic may have received, such as tweets about Casey Anthony. We also would like to create a matrix that ranks news from jawdroping to heartbreaking and good news to bad news. The placing of events will come from Facebook polling to emphasize a connect with the viewers.

Sunday, September 18, 2011

ReBranding Las Vegas Baby!


Courtesy www.brandfreak.com

Las Vegas refining its ad strategy for a post-recession consumer
By David Kiefaber on Wed Dec 1 2010

Las Vegas's bold new post-recession branding initiative is ... doing the same crap they've always done. They're trying to lure "recession survivors," defined as people 21-54 with money to burn, back to Sin City with $8 million worth of advertising in 2011. The new campaign will highlight discounted travel packages and the value of the Las Vegas experience to a "more prudent" consumer. Which, again, is pretty much what they were doing before the country went broke. Vegas has always offered travel discounts to that demographic because it's essentially Pleasure Island for adults; the only difference now is that the stakes are higher. Visitors are spending less now—about $590 per trip—but there are still 150,000 rooms to fill. If they're going to make this work, they need to shift their image from one where lucky rollers get rich (or laid) to one where people with extra cash can have fun and blow off a little steam. In other words, it's all about subtlety and moderation. How Vegas will navigate such unfamiliar territory is anyone's guess.

Las Vegas ad campaign targets recession survivors

November 28, 2010|By Suzette Parmley, Inquirer Staff Writer

* Visitors still packed Bally's Las Vegas on this weeknight in November. The news is mixed: Spending is down 15 percent from 2008, but visits are slightly up from 2009.

Visitors still packed Bally's Las Vegas on this weeknight in November. The news…

* Visitors still packed Bally's Las Vegas on this weeknight in November. The news is mixed: Spending is down 15 percent from 2008, but visits are slightly up from 2009.
* "We have less people coming in," said Inessa Moneta of the jewelry stand where she works in the Paris Las Vegas Casino. "They are spending less money."
* While tourists to Las Vegas now spend less than in 2008, the number of leisure visits to the city are up 3 percent from 2009.

LAS VEGAS - Like all major U.S. destinations, Sin City has felt the full throttle of the recession.

But Vegas' economy, built entirely on spending - whether through gambling on the Strip's 33 casinos, relaxing at the lavish spas, or shopping at the upscale malls - needs tourists more than any other.

And starting in early 2011, the city's marketing message will be heavily geared toward those who survived the recession.

Why the push?

"Survival," Rob Dondero, executive vice president of R&R Partners, the Las Vegas public relations firm that coined the famous "What happens in Vegas, stays in Vegas" slogan, said candidly. "Las Vegas has always been a survivor and is very resilient.

Starbucks Celebrates Winter with Ginormous Snowflakes


Starbucks heralds the beginning of winter with this snowflake kite ad, complete with an indie-pop song by Matt Pond PA. The ad directs viewers to a 12 Days of Sharing site, which is basically an advent calendar of daily special offers. You can also watch a video by the Killers and prompt a 5-cent donation to the (Red) campaign. All of which is quite festive, and sweeps Starbucks' recent price rise under the rug. But no matter. It'll take more than a $2 tall coffee to scare the Starbucks faithful away.

A Hand Painted Ginormous AD in Berlin for Porsche


An ad in Berlin for the all-new 2012 Audi A7 Sportback looks fairly normal—except it was created with spray paint and takes up 10,800 square feet. Translated to English, the billboard reads, "Nothing is more inspiring than a blank sheet of paper. It is the opportunity to create something unique." The A7 Sportback is the German automaker's answer to the Porsche Panamera. Of course, that seemed like a good idea at Audi before its parent company, Volkswagen AG, actually decided to buy Porsche AG this year.

The High Costs of ReBranding

We all know giant multinationals and famous brands invest heavily in their brand identity design. But most of the time costs incurred are kept a secret. Bear in mind that a rebranding cost is entirely different from the cost of a logo redesign. A complete rebranding includes changes to the logo design, package design, marketing campaigns and the cost incurred to expose the rebranding into the market.

As graphic designers, we ought to know how much do famous companies and brands spend on their brand identity design. When a company posts an outrageous figure for its corporate rebranding, people tend to become judgmental over the ridiculous price incurred. But branding is not all about designing a logo, there are other aspects of the branding process that need to be fulfilled in order to deliver a revamped identity. In the field of graphic design, there are various tools that complete the branding process.

* The logo and stationary design
* Package and label design
* Website Design
* Designing the marketing campaign (Advertising, Billboards, Flyers, Girt Items)

Following are the branding costs of 8 famous brands that were rebranded at a fairly excessive cost.
Courtesy http://www.graphicdesignblog.org/famous-brands-rebranding-cost/










Pepsi Rebranding – A comprehensive Analysis:

The Pepsi rebranding was handled by Arnell Group. Its three years strategy involves $1.2 billion, a complete packaging, merchandising and marketing overhaul of its soft drinks. Let me remind my readers that the total brand value of Pepsi is estimate around $ 16 billion as compared to Coca-Cola’s $68 billion. The rebranding amount involves all kinds of promotional and ATL and BTL marketing activities. Now let us analyze the impact of the rebranding. It has been one year since the overhaul took place. There are no figures of ‘out of the blue’ sales jump or consumer liking about the rebranding reported. On the contrary, Pepsi has received far more censure than any other brands for its directionless rebranding. The real question is…the sales that Pepsi is generating now, are they more than what they would have earned without the rebranding?


Which is the right time for Rebranding?
* When your brand equity is deteriorating or stagnant, that indicates you need a thorough rebranding to overhaul the identity of your brand.
* When your customers don’t seem to favor your brand identity anymore, it’s time that you reposition your brand in the minds of your consumers.
* When your brand gets caught up in a controversy, a repositioning is required to improve the tarnished reputation.
* When the rebranding has the muscle to offset the cost it incurs, meaning it has the potential to pay off in the long run.
* When you realize that your current brand positioning isn’t valid for the target market anymore, or your target market changes.


When is Rebranding a mistake?
* When you rebrand just for the sake of it, thinking you feel like rebranding just isn’t sufficient to overhaul the images of your brand.
* When your customers are devoted to your previous brand identity and are more faithful to it, rebranding may lose brand loyal customers.
* When rebranding does not reap proportional benefits and costs more than it pays.
* When you rebrand because your competitor did so, you are making a mistake of rebranding without purpose.
* When you rebrand without adequate research, repositioning the image without studying consumer demographics and psychographics is dangerous.
* When you think that rebranding only means a logo redesign, or altering the stationery and corporate colors. Rebranding entails a whole bundle of intangible items that are needed to be considered as well.

CNN Photos


http://www.cnnobservations.com/downloads/

If you are looking for images from CNN and HLN that are HiRes.
I'm checking on more HLN photos for you as well as video that many of you have inquired about. Stay tuned.

Saturday, September 17, 2011

Things Neatly Organized


www.thingsorganizedneatly.tumblr.com

This site is after my own heart.

Designer Needed

If you are interested please let me know. It could be a nice professional piece for your portfolio.

Dear Professor Anderson,

As you can see from the message below, my colleagues and I in Geosciences are developing a research initiative we’re calling CSAW: Community, Soil, Air, and Water. We’d like to seek the talent of a graphic design student to help us develop a logo. Would you be able to put us in touch with someone who may be interested?

Many thanks,
Katherine

Katherine B. Hankins
Assistant Professor of Geography
Department of Geosciences

PO Box 4105
Atlanta, GA 30302
ph. 404 413-5775
fax 404 413-5768
email: khankins@gsu.edu

Competition Announcement

I would like to invite you and your students to participate in an upcoming contest. Samaritan Aviation is currently partnering with Base Productions and Blur Studio to offer an exciting Design Competition opportunity! We would be honored if you could include this contest into your curriculum for this upcoming school year.

We are looking for a modern, animated version of “The Good Samaritan” with a twist, using either a story from our Mercy Flight or Life Flight programs. Sample ideas include but are not limited to:

o Mercy Flights (USA)
+ Man/Woman traveling to a specialist/cancer treatment
+ Man/Woman/Child in hospice care getting to go home to family Man/Woman/Child traveling to receive an organ transplant
o Life Flights(Papua New Guinea, Float Plane)
+ Expectant mother in labor distress being rescued
+ Man/Woman/Child bit by a poisonous snake needing emergency medicine
+ Man/Woman/Child who fell from a tree, broke their back & needs hospital care


Storyboards and narrations submitted by the deadline will be judged by a panel of three: Samaritan Aviation’s President, Gary Bustin; Base Production’s Vice President of Production, John Davis; and Blur Studio’s Executive Producer, Al Shier.

The top ten ranked storyboards will then be invited to submit animations. The winning animator will win $1,000.00 and a half hour interview with Blur Studio’s Executive Producer, Al Shier. (www.blur.com)

The winning narrator will win $500.00 and a half hour interview with Base Production’s Vice President of Production, John Davis. (www.baseproductions.com)

Please direct your students to visit our website to learn more about what Samaritan Aviation does. You’ll also be able to read more about the contest and submit projects through the site.

Deadline for Story Boards & Narrations: Deadline for Selected Animations:
October 12th, 2011 December 6th, 2011

We look forward to seeing the creative and talented submissions your students are capable of producing!

MODA: Graphic Intervention: Twenty Five Years of AIDS Posters


All work courtesy wwww.graphicintervention.org
The entire group of 153 posters will be shown at MODA (Museum of Design Atlanta)October 2, 2011-January 1, 2012

Graphic Intervention presents a comprehensive overview of the diverse visual strategies employed by government agencies, community activists, grassroots organizations and motivated citizens to educate the local population.

From Papua New Guinea to Denmark to Venezuela to Morocco, these posters demonstrate the different approaches used for discussion of a socially complex subject. The messages in Graphic Intervention deftly champion pertinent sociopolitical issues – disease research and eradication, world health, international relations, sexual education, social prejudices and discrimination – in a remarkable way.

Curated by Elizabeth Resnick, Professor and Chair of Graphic Design at MassArt and Javier Cortes, Partner and Creative Director at Korn Design, Boston. Posters included in the exhibition are from the collections of the James Lapides International Poster Gallery and the Massachusetts College of Art and Design.

In conjunction with this exhibition You will individually create a WORLD AIDS DAY logo that will accompany the MODA branding for the exhibition. World AIDS Day is December 1st and MODA will have a 24-hour event at the museum on this day. Your part is to create an advertising logo and campaign that will create a buzz for this event.
You should consider all the participants for this one-day museum and worldwide event.

The preliminary plan is this:
-Logo design that incorporates the MODA logo and the World AIDS Day event. (This will be completed first so MODA can start using it.) The plan is to have this LOGO by October 13th or 18th.

Forthcoming additional Advertising/Marketing work will be presented to MODA on Thursday October 27th.
-Print and Web use of their respective logos and how they might appear as a marketing tool for you.
-Possible mailer/brochure/postcard for the event with scheduled events (forthcoming)
-Possible Poster for the event with names of the participants and the times, etc.
-Class Participation in the event on December 1st with MODA. Everyone is expected to participate in this event in some capacity.





Do Not Punish
The poster image depicts a chain-link fence made from AIDS ribbons. Its visual message coupled with the caption 'Do Not Punish' advocates for an anti-discrimination policy for AIDS sufferers. A student submitted this poster for the "Good 50 x 70" poster competition. It was selected as one of the best posters of 2009.
19.7 x 27.6 in / 50 x 70 cm
Design: Ismail Anil Güzelis
Turkey, 2009



Don't Share Needles. Prevent AIDS.
One hundred American and one hundred Korean designers and artists were each asked to create a poster on the subject of AIDS. These posters were exhibited and published in a catalog titled AIDS: Images for Survival. The event was created by Charles Michael Helmken and sponsored by the Shoshin Society in Washington, D.C. To quote the designer: "Two faceless people lost and alone. Stuck in society's purulent lesions. They stand sharing rejection, injection and infection. Death cannot be their only way home."
28.1 x 42.8 in / 71.3 x 190 cm
Design: Lanny Sommese
USA, 1989



AIDS Hidden Danger
The poster image plays with a dual notion—AIDS is a hidden danger yet it remains ever present and persistent. The use of optical illusion, bright colors, and hidden text within the foreground as well as background, remain the key design elements in this poster. The caption: "Hidden danger" echoes the almost submerged letters outlining the word "AIDS" in the main body of the poster.
39.5 x 27.5 in / 100 x 70 cm
Design: Cedomir Kostovic
USA, 2007



2004 World AIDS Day
Translation: "The red ribbon is an internationally recognized symbol. By wearing it, a message of conscience and caring is sent to all people infected with HIV and the ones taking care of them. Please wear the red ribbon on World Aids Day, or any day of the year."
This poster image suggests the red ribbon symbol as a binding embrace of caring and commitment. AIDS Day is a moment to commemorate people with AIDS and their loved ones who take care of them.
11.7 x 16.5 in / 29.6 x 42 cm
Design: Jyri Konttinen
Finland, 2004



AIDS Info Funen 10th Anniversary
Per Arnoldi describes the concept of his poster: "The thing about poster and campaigns for AIDS, or rather information and warnings about AIDS, is that it's hard to know whether you should speak quietly and urgently or loudly and threateningly—general warning or wildly frightening. Or whether you find a visual idiom that does both at once. I tried the latter with the lovely peaceful water surface which is perhaps, once in a dreadful while, broken by the ominous fin of the shark...I mean everyone likes to swim, but..."
27.5 x 39.3 in / 70 x 100 cm
Design: Per Arnoldi
Denmark, 1995



One AIDS Death Every Thirty Minutes!
This poster appropriates an image from The New York Times to very strong effect in illustrating the impact of so many AIDS deaths happening in such a short period of time.
22 x 11 in / 56 x 28 cm
Design: Richard Deagle/ACT UP
USA, 1989



HIV Positive, United Colors of Benetton
A series of three posters created in the fall of 1993 for the United Colors of Benetton campaign. The campaign underscored the figurative branding of individuals who are HIV-positive.
16.5 x 11.6 in / 42 x 29.6 cm
Concept and Photography: Oliviero Toscani
Italy, 1993



Extend Hope
Viral Hope is an outreach program initiative, which is located at New York Presbyterian Hospital/Weill Cornell Medical College. Viral Hope collects unused antiretroviral medications to support the care of people in Nigeria who are HIV-positive. The posters were designed to evoke a handmade/raw look and feel. Unpolished and honest in its message, the posters were sent to HIV facilities to create awareness around the HIV issues and how to help.
23.8 x 38 in / 60.7 x 96.4 cm
Illustration: Edel Rodriguez, Agency: Cline Davis Mann LLC, The Starfish Project
USA, 2007



What You Don't Know Can Hurt You
This poster suggests the theme of fear of the unknown. The conceptual image depicts a flesh-like pinkish membrane with a hand protruding from it. Here information is kept to a minimum, and the design itself invites the viewer to interpret what the image portrays. Korea was forced to alter their preparations for the 1988 Seoul Olympic Games, as fear of AIDS overwhelmed their society, destabilizing the country.
23.5 x 33 in / 59.4 x 84.1 cm
Design:Young Woo Yu
South Korea, 1987



Ignorance = Fear/Silence = Death
The goal of this poster was to bring attention to the prejudice surrounding the growing AIDS crisis in the late 1980s. "Silence = Death"—a painting by Keith Haring—depicts three figures in positions that suggest a modern day embodiment of the three wise monkeys who "see no evil, hear no evil, speak no evil". There are various meanings ascribed to the monkeys and the proverb. In the western world the phrase is often used to refer to those who deal with impropriety by looking the other way, refusing to acknowledge it, or feigning ignorance. Here the purpose is to campaign on behalf of the American people to overcome the prejudice that prevents protecting their health and the health of their loved ones. Haring, a social activist and a gay man who was actively involved with ACT UP, died of AIDS complications in 1990.
43 x24 in / 61 x 109.2 cm
Painting: Keith Haring. ACT UP
USA, 1989



Spread Facts Not Fear
This poster uses bright primary colors, playful hand-drawn type and simple illustrations reminiscent of comic books to draw the viewer in, and make accessible what may otherwise be a frightening or off-putting message
16.3 x 23.5in / 41.5 x 59.5 cm
Design: AIDS Counseling Trust (ACT)




Soccer Balls in a Condom, United Colors of Benetton
The poster depicts a manipulated image of two soccer balls housed in a condom—the effect suggestive of male genitalia. Benetton's efforts to raise awareness for safer sex were well received by Health organizations and AIDS groups.
16.5 x 11.6 in / 42 x 29.6 cm
Concept and Photography: Oliviero Toscani
Italy, 1991




Fight AIDS Not People With AIDS
This poster was originally created for the 2009 edition of the "Good 50 x 70" poster competition responding to the theme: "Being HIV-positive is not a criminal offense. Governments must focus on education and prevention of the disease rather than repression." The designer employs her typographic message in the shape of the African continent where there is much criminalization of the illness.
19.6 x 27.5 in / 50 x 70 cm
Design: Sara Gama
Portugal, 2009




AIDS. Don't Be Afraid Be Aware
This poster draws the viewer in with a cartoon-like illustration of a screaming, wide-eyed and very afraid person.
17.25 x 23.5 in / 44 x 60 cm
Illya Furlonge-Walker for the Form and Function Design Group
Trinidad and Tobago, ca 1994



Come Together
Translation: "One out of ten guys are turned on by other guys. For some men it's easy and it comes naturally. Others do it in hiding, and they won't dare to accept their true feelings. Not to their parents, their friends or to themselves. Who turns you on?"
Love Power is supported by RFSU, the Swedish Organization for sexual education; RFSL, The Swedish Organisation for sexual equality; and the People's Health Institute, Department of Health.
27.5 x 19.6 in / 70 x 50 cm
Design: Garbergs
Sweden, ca 1993




Enjoy Life, Avoid AIDS
Translation: "Enjoy Life, Avoid AIDS. How do I Show that I Love You?"
Condom use is still stigmatized in many parts of the Caribbean, including Cuba. People are often too embarrassed to buy condoms in shops and even to use them with their partners. Since most of the AIDS cases reported in Cuba are among men having sex with men, these posters are designed to be suggestively ambiguous to cater to both same sex partners as well as heterosexual couples.
18.2 x 26 in / 46.3 x 66 cm
Design: Idania/Del Rio
Cuba, 2006



The Other Night Charlie Brought Home a Quart of Milk, a Loaf of Bread and a Case of AIDS
In the U.S. many early AIDS prevention messages were aimed predominantly at the white gay male community and intravenous drug users. With a disease involving sexuality, the biggest challenge has been identifying what can actually be shown on a poster. Sexual behavior is deeply rooted in culture and tradition, and messages to raise awareness and encourage preventive behavior need to take into consideration the living habits of the intended audience.
14.25 x 23 in / 36.2 x 58.4 cm
Agency: Saatchi & Saatchi




Stop AIDS
This poster depicts an image of a missile or bullet covered by a tight-fitting condom. The combination of the two objects creates an effective anti-AIDS message. The poster was created for the "Good 50 x 70" poster competition on the subject of AIDS Awareness. The stylistic approach incorporates the optical illusion created by the interplay of positive and negative shapes—either use a condom for safe sex or be killed by the bullet. The "AIDS" type is set in two divided colors—reflecting the positive/negative visual elements of poster—to represent that condoms are an "aid", and that people can also provide "aid" to stop AIDS.
23.6 x 35.5 in / 60.2 x 90.3 cm
Design: Fang Chen
China, 2007




Stop AIDS Now
The poster depicts figurative letterforms created from choreographed human bodies spelling out the message.
33 x 23.25 in / 84 x 59 cm
Photo: Claudio Alessandri Design. Momix dancers: Erin Elliott, Solveig Olsen, Terry Pexton, Brian Sanders, courtesy of Riezouw Associates, LTD
Austria, ca. 1995



Stop AIDS
This poster was created as a response to the AIDS crisis in the late 1980s. The message is a juxtaposition of the word "AIDS" set in the same font and placed where the viewer expects to see "STOP". An additional twist is the discovery at the bottom of the sign the words "Department of Traffic" which can take on a different meaning in this context.
24 x 28 in / 61 x 71 cm
Design: Steff Geissbuhler



I Am Not My Disease
This poster was designed for an exhibition at the 12th World AIDS Conference in Geneva, Switzerland. The red ribbon, universal symbol for HIV/AIDS, is fused to the body, as a branding scar, tattoo, or "scarlet letter" defining the person as the disease.
23.3 x 33 in / 59.4 x 84.1 cm
Design: Chaz Maviyane-Davies
Zimbabwe, 1998



Wrap It Up, Or Clear Off
This is a set of two posters reflecting the culture of The Netherlands—open acceptance to sexual experiences. The casualness of the caption, applicable to both the gay and heterosexual couple, is further accentuated by the almost comic placement of the condom on the nude male model.
16.5 x 23.25 in / 42 x 59.5 cm
Anon, Publication of the Public Campaign Project Group AIDS/SOA (AIDS/Sexually Transmitted Illnesses) in association with the VWS (Ministry of Public Health, Welfare, and Sports), in addition this is supported by the Prevention Fund (Praeventiefonds)
The Netherlands, ca 1995


AIDS—Let's Speak Freely About it
The bold composition of this poster manages to spark an immediate storyline with the image of a partially covered female face and hands, across her partner's body, obscured by a large black oblong shape censoring the rest of the image. The white caption across the oblong directs the viewer back to the female face and in particular her eyes. The half-closed eyes however again direct the viewer back towards the image and the gaze now moves towards the caption and then underneath it to the small red letters outlining "SIDA" the French word for AIDS.
23.3 x 33 in / 59.3 x 84 cm
Design: Uwe Loesch